James Good Tunny (1820–1887) was a professional photographer who established a thriving business in Edinburgh during the 1850s. He recalled that, as a young man in the 1840s, he would stand on Calton Hill overlooking the Rock House studio of David Octavius Hill RSA and Robert Adamson, watching them make their photographs outdoors whenever there was sufficient sunlight.
He later wrote:
"Oh, if only I could have got an introduction to these men, it would have been a consummation of my happiness!"
Tunny did eventually meet D. O. Hill, and it was probably on Hill's recommendation that he was commissioned to make a series of portraits of Royal Scottish Academicians. A selection is displayed here, reproduced from an album in the Royal Scottish Academy collections. Tunny's portraits mark the beginning of the RSA's long tradition of commissioning photographic portraits of Academicians. They remain not only the first, but among the most atmospheric.
A century later, Joseph McKenzie, widely regarded as the father of modern Scottish photography, photographed Sir William Gillies RSA at home and in his studio. Gifted to the RSA as part of the Gillies Bequest in 1973, these images reflect a fresh, modern approach to portraying the artist at work.
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Joseph Arps McKenzie, Portraits of Sir William George Gillies RSA in his Temple Studio
1929-2015 -
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James Good TunnyHoratio McCulloch, around 1850ssalted paper and albumen prints16.1 x 12.4cm -
James Good TunnyJohn A Houston, around 1850ssalted paper and albumen prints16 x 12.1cm -
James Good TunnyJohn Everett Millais, around 1850ssalted paper and albumen prints16 x 12cm -
James Good TunnyKenneth Macleay, around 1850ssalted paper and albumen prints15.7 x 11.8cm
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James Good TunnyD O Hill, around 1850ssalted paper and albumen prints15.3 x 12.3cm -
James Good TunnySam Bough, around 1850ssalted paper and albumen prints16.3 x 12.4cm -
James Good TunnySir John Steell, around 1850ssalted paper and albumen prints15.8 x 12.2cm -
James Good TunnyWilliam Charles Ross, around 1850ssalted paper and albumen prints16.3 x 12.2cm
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Room 1: Royal Scottish Academicians
The Royal Scottish Academy (RSA) is Scotland’s oldest surviving artist-run institution. Since 1826, more than 500 artists and architects have been elected by their peers as ‘Academicians’, making them central... -
Room 2: The Morton Award for lens-based Media
The Morton Award for Lens-based Media occupies a vital place in contemporary Scottish photography. Administered by the Royal Scottish Academy and funded by The Morton Charitable Trust, from 2006 to... -
Room 3: The John Kinross Scholarship
Each year the Royal Scottish Academy (RSA) John Kinross Scholarship provides ten final year undergraduate and postgraduate art and architecture students with the opportunity to research and develop their practice... -
Room 5: Armoury
The photographs in this room are reproduced from a remarkable album in the library of the RSA. Around 1850, the British photographer Charles Clifford established a studio in Spain. His... -
Room 6: The Dawn of Photography
Scotland played a leading role in the early years of photography. When, in 1839, William Henry Fox Talbot invented the Calotype process – a method of creating a paper negative... -
Caroline Douglas
Caroline Douglas is an artist and historian of early photography . In her practice she moves across photography, writing and creative archival research to work cross-historically, re-touching the archive, to... -
Irvine & Spence
Disproportionate Impacts & Everyday Agitations This collaborative work from Irvine & Spence was the winner of the RSA Lens-Based Media Award 2024. This was an interim award between the Morton... -
Walter Dalkeith
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Restoration Yard
This gallery space introduces the diverse photographic practice by 19th century and contemporary photographers as part of the wider exhibition at Dalkeith Palace. It features an accessible version of Flannery...
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