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ANDIAMO!
Forty Years of the RSA John Kinross Scholarships to Florence, 11 September - 17 October 2021
  • Current Exhibitions
  • Upcoming Exhibitions
  • Past Exhibitions

ANDIAMO!: Forty Years of the RSA John Kinross Scholarships to Florence

Past Exhibitions exhibition
  • Overview
  • Works
  • Installation Views
  • Publication
  • Neil Gall Round the Bend, 2016 Oil on canvas 112 x 65 cm
    Neil Gall
    Round the Bend, 2016
    Oil on canvas
    112 x 65 cm
  • Neil Gall Ritratto, 2020 Acrylic on cast jesmonite 26 x 15 x 14 cm
    Neil Gall
    Ritratto, 2020
    Acrylic on cast jesmonite
    26 x 15 x 14 cm
  • Neil Gall Church Interior (Yellow), 1991 Oil on paper 20 x 26.2 cm
    Neil Gall
    Church Interior (Yellow), 1991
    Oil on paper
    20 x 26.2 cm
  • Neil Gall Church Interior, 1991 Oil on paper 20.6 x 27 cm
    Neil Gall
    Church Interior, 1991
    Oil on paper
    20.6 x 27 cm
  • Mary Bourne RSA Inhabit, 2020 Pink marble, grey and white marble tiles, charred oak table 83 x 62 x 62 cm
    Mary Bourne RSA
    Inhabit, 2020
    Pink marble, grey and white marble tiles, charred oak table
    83 x 62 x 62 cm
  • Mary Bourne RSA Timeframe, 2020 Black slate and marble 86 x 220 x 2 cm
    Mary Bourne RSA
    Timeframe, 2020
    Black slate and marble
    86 x 220 x 2 cm
  • Mary Bourne RSA Kinross Sketchbook, 1985 Sketchbook 30 x 43 cm open
    Mary Bourne RSA
    Kinross Sketchbook, 1985
    Sketchbook
    30 x 43 cm open
  • Emily Speed Rooms Designed for a Woman Film with sculptural frame 05:30 minutes
    Emily Speed
    Rooms Designed for a Woman
    Film with sculptural frame
    05:30 minutes
  • Emily Speed After Gaddi I Pencil crayon and pencil on paper 30 x 40 cm
    Emily Speed
    After Gaddi I
    Pencil crayon and pencil on paper
    30 x 40 cm
  • Emily Speed After Gaddi II Pencil crayon and pencil on paper 21 x 30 cm
    Emily Speed
    After Gaddi II
    Pencil crayon and pencil on paper
    21 x 30 cm
  • Emily Speed After Gaddi III Pencil crayon and pencil on paper 30 x 40 cm
    Emily Speed
    After Gaddi III
    Pencil crayon and pencil on paper
    30 x 40 cm
    Sold
  • Emily Speed After Maso di Banco I Pencil crayon and pencil on paper 21 x 30 cm
    Emily Speed
    After Maso di Banco I
    Pencil crayon and pencil on paper
    21 x 30 cm
    Sold
  • Emily Speed Sketchbook Roma, 2001 12 pages of pen and ink, watercolour and letraset on paper
    Emily Speed
    Sketchbook Roma, 2001
    12 pages of pen and ink, watercolour and letraset on paper
  • Jamie Fitzpatrick The Warrior, 2019 Wax, polystyrene, silicone, hessian, steel, wood, audio equipment, animatronic components 206 x 154 x 108 cm
    Jamie Fitzpatrick
    The Warrior, 2019
    Wax, polystyrene, silicone, hessian, steel, wood, audio equipment, animatronic components
    206 x 154 x 108 cm
  • Jamie Fitzpatrick hehehehe (the warrior), 2019 Video (black and white) 14:30 minutes
    Jamie Fitzpatrick
    hehehehe (the warrior), 2019
    Video (black and white)
    14:30 minutes
  • Jamie Fitzpatrick Untitled (Puffin, Kangaroo, Lyre Bird), 2010 Pencil, pen and ink 42 x 30 cm
    Jamie Fitzpatrick
    Untitled (Puffin, Kangaroo, Lyre Bird), 2010
    Pencil, pen and ink
    42 x 30 cm
  • Chantal Joffe RA Self Portrait with Arms Raised, 2016 Oil on board 201.6 x 90 x 6 cm
    Chantal Joffe RA
    Self Portrait with Arms Raised, 2016
    Oil on board
    201.6 x 90 x 6 cm
  • Chantal Joffe RA Florence Sketchbook, 1992 Sketchbook 31 x 21 cm
    Chantal Joffe RA
    Florence Sketchbook, 1992
    Sketchbook
    31 x 21 cm
  • Steven MacIver Duomo I, 2019 Oil on canvas 170 x 150 cm
    Steven MacIver
    Duomo I, 2019
    Oil on canvas
    170 x 150 cm
  • Steven MacIver Duomo II, 2019 Oil and gold leaf on canvas 170 x 150 cm
    Steven MacIver
    Duomo II, 2019
    Oil and gold leaf on canvas
    170 x 150 cm
  • Steven MacIver View from the Duomo, c. 2002-3 Oil on paper 64 x 86 cm
    Steven MacIver
    View from the Duomo, c. 2002-3
    Oil on paper
    64 x 86 cm
  • Rowan MacKinnon-Pryde Dichromatic Apartment 02, 2021 Photography print mounted on 10mm PVC 42 x 42 cm
    Rowan MacKinnon-Pryde
    Dichromatic Apartment 02, 2021
    Photography print mounted on 10mm PVC
    42 x 42 cm
  • Rowan MacKinnon-Pryde Dichromatic Apartment 01, 2021 Photography print mounted on 10mm PVC 42 x 42 cm
    Rowan MacKinnon-Pryde
    Dichromatic Apartment 01, 2021
    Photography print mounted on 10mm PVC
    42 x 42 cm
  • Rowan MacKinnon-Pryde Dichromatic Apartment 00, 2021 Plaster and black stained birch plywood 8 x 25 x 27 cm
    Rowan MacKinnon-Pryde
    Dichromatic Apartment 00, 2021
    Plaster and black stained birch plywood
    8 x 25 x 27 cm
  • Rowan MacKinnon-Pryde Untitled (Pegasus at Palazzo Pitti), 2009 Pencil and acid transfer print 42 x 30 cm
    Rowan MacKinnon-Pryde
    Untitled (Pegasus at Palazzo Pitti), 2009
    Pencil and acid transfer print
    42 x 30 cm
  • Mary Maclean Infinite Space, Uncertain (Blackboard #3), 2012 Photograph on aluminium 100 x 102 cm
    Mary Maclean
    Infinite Space, Uncertain (Blackboard #3), 2012
    Photograph on aluminium
    100 x 102 cm
  • Mary Maclean Wall #8, 2015 Photograph on aluminium 75 x 107 cm
    Mary Maclean
    Wall #8, 2015
    Photograph on aluminium
    75 x 107 cm
  • Mary Maclean Florence, 1985 Mixed media on paper 42 x 59 cm
    Mary Maclean
    Florence, 1985
    Mixed media on paper
    42 x 59 cm
  • Kate McCrickard Smoker, 2019 Offset drawing with monotype, oil paint on Japanese paper Artwork: 33 x 24 cm Framed: 40 x 31 cm
    Kate McCrickard
    Smoker, 2019
    Offset drawing with monotype, oil paint on Japanese paper
    Artwork: 33 x 24 cm
    Framed: 40 x 31 cm
  • Kate McCrickard Espresso Drinker, 2019 Offset drawing with monotype, oil paint on Japanese paper Artwork: 33 x 24 cm Framed: 40 x 31 cm
    Kate McCrickard
    Espresso Drinker, 2019
    Offset drawing with monotype, oil paint on Japanese paper
    Artwork: 33 x 24 cm
    Framed: 40 x 31 cm
  • Kate McCrickard Anxious Children: Irene, 2019 Offset drawing with monotype, oil paint on Japanese paper Artwork: 33 x 24 cm Framed: 40 x 31 cm
    Kate McCrickard
    Anxious Children: Irene, 2019
    Offset drawing with monotype, oil paint on Japanese paper
    Artwork: 33 x 24 cm
    Framed: 40 x 31 cm
  • Kate McCrickard Anxious Children: Broken Arm, 2019 Offset drawing with monotype, oil paint on Japanese paper 33 x 24 cm unframed
    Kate McCrickard
    Anxious Children: Broken Arm, 2019
    Offset drawing with monotype, oil paint on Japanese paper
    33 x 24 cm unframed
  • Kate McCrickard Swimmers, 2019 Oil on linen Artwork: 46 x 57 cm Framed: 51 x 60 cm
    Kate McCrickard
    Swimmers, 2019
    Oil on linen
    Artwork: 46 x 57 cm
    Framed: 51 x 60 cm
  • Kate McCrickard Saint Michele, Lucca, c. 1998 Watercolour and graphite on paper 61.5 x 45 cm
    Kate McCrickard
    Saint Michele, Lucca, c. 1998
    Watercolour and graphite on paper
    61.5 x 45 cm
  • William Darrell Swimming in Ophidium, 2018 Kinetic sculpture dimensions variable
    William Darrell
    Swimming in Ophidium, 2018
    Kinetic sculpture
    dimensions variable
  • William Darrell Neptune's Bubble, 2012 Film and sphere with breathing tube Film: 9:50 minutes Sphere: 40 cm
    William Darrell
    Neptune's Bubble, 2012
    Film and sphere with breathing tube
    Film: 9:50 minutes
    Sphere: 40 cm
  • Wendy McMurdo RSA The Robot Workshop (i), 2012 Photography 80 x 80 cm
    Wendy McMurdo RSA
    The Robot Workshop (i), 2012
    Photography
    80 x 80 cm
  • Wendy McMurdo RSA The Robot Workshop (iii), 2012 Photography 80 x 80 cm
    Wendy McMurdo RSA
    The Robot Workshop (iii), 2012
    Photography
    80 x 80 cm
  • Wendy McMurdo RSA Madonna and Duomo, 1986 Pen, ink and pastel 65 x 56 cm
    Wendy McMurdo RSA
    Madonna and Duomo, 1986
    Pen, ink and pastel
    65 x 56 cm
  • Wendy McMurdo RSA Boboli Gardens, 1986 Pen, ink and pastel 54 x 61 cm
    Wendy McMurdo RSA
    Boboli Gardens, 1986
    Pen, ink and pastel
    54 x 61 cm
  • Hannah Imlach Birch Anemometer, 2018 Tulipwood, brass and 3D printed components
    Hannah Imlach
    Birch Anemometer, 2018
    Tulipwood, brass and 3D printed components
  • Hannah Imlach Fieldwork, 2018 Film 07:20 minutes
    Hannah Imlach
    Fieldwork, 2018
    Film
    07:20 minutes
  • Hannah Imlach Hazel Anemometer, 2018 Tulipwood, brass and 3D printed components
    Hannah Imlach
    Hazel Anemometer, 2018
    Tulipwood, brass and 3D printed components
  • Hannah Imlach Water Kite on the Arno (1), 2011 Digital c-type photographic print on archival rag paper Image size: 28 x 42 cm Paper size: 35 x 49 cm Edition of 10
    Hannah Imlach
    Water Kite on the Arno (1), 2011
    Digital c-type photographic print on archival rag paper
    Image size: 28 x 42 cm
    Paper size: 35 x 49 cm
    Edition of 10
    £ 230.00
  • Michael Taylor London 2012 Velodrome Hopkins Architects Photography 140 x 280 cm
    Michael Taylor
    London 2012 Velodrome
    Hopkins Architects
    Photography
    140 x 280 cm
  • Michael Taylor London 2012 Velodrome Hopkins Architects Photography 140 x 280 cm
    Michael Taylor
    London 2012 Velodrome
    Hopkins Architects
    Photography
    140 x 280 cm
  • Michael Taylor London 2012 Velodrome - Construction images Hopkins Architects Photography 60 x 280 cm
    Michael Taylor
    London 2012 Velodrome - Construction images
    Hopkins Architects
    Photography
    60 x 280 cm
  • Michael Taylor London 2012 Velodrome - Design images Hopkins Architects 60 x 280 cm
    Michael Taylor
    London 2012 Velodrome - Design images
    Hopkins Architects
    60 x 280 cm
  • Michael Taylor London 2012 Velodrome - Quarter Building technical Model Hopkins Architects 62 x 154 x 154 cm
    Michael Taylor
    London 2012 Velodrome - Quarter Building technical Model
    Hopkins Architects
    62 x 154 x 154 cm
  • Michael Taylor London 2012 Velodrome - Wooden Bowl Model Hopkins Architects 10 x 40 x 30 cm
    Michael Taylor
    London 2012 Velodrome - Wooden Bowl Model
    Hopkins Architects
    10 x 40 x 30 cm
  • Michael Taylor London 2012 Velodrome - Cross Section Model Hopkins Architects 48.8 x 72 x 28 cm
    Michael Taylor
    London 2012 Velodrome - Cross Section Model
    Hopkins Architects
    48.8 x 72 x 28 cm
  • Michael Taylor Florence Sketchbook, 1986 Mixed media
    Michael Taylor
    Florence Sketchbook, 1986
    Mixed media
  • Kevin Dagg Losing Paradise, 2021 Redwood 80 x 40 x 30 cm
    Kevin Dagg
    Losing Paradise, 2021
    Redwood
    80 x 40 x 30 cm
  • Kevin Dagg The Tie that Binds, 1994 Oak and paint 120 x 30 x 30 cm
    Kevin Dagg
    The Tie that Binds, 1994
    Oak and paint
    120 x 30 x 30 cm
    Sold
  • Elena Sorokina Alluvione / Flood Map (i) - diptych, 2021 Mixed media paper 42 x 32 cm each Edition of 10
    Elena Sorokina
    Alluvione / Flood Map (i) - diptych, 2021
    Mixed media paper
    42 x 32 cm each
    Edition of 10
  • Elena Sorokina Alluvione / Flood Map (II)- diptych, 2021 Mixed media paper 42 x 32 cm each Edition of 10
    Elena Sorokina
    Alluvione / Flood Map (II)- diptych, 2021
    Mixed media paper
    42 x 32 cm each
    Edition of 10
  • Elena Sorokina Alluvione / Flood (I) - tetraptych, 2021 Mixed media paper, gold leaf finish 17 x 12 cm Edition of 10
    Elena Sorokina
    Alluvione / Flood (I) - tetraptych, 2021
    Mixed media paper, gold leaf finish
    17 x 12 cm
    Edition of 10
  • Elena Sorokina Alluvione / Flood (II) - tetraptych, 2021 Mixed media paper, gold leaf finish 17 x 12 cm Edition of 10
    Elena Sorokina
    Alluvione / Flood (II) - tetraptych, 2021
    Mixed media paper, gold leaf finish
    17 x 12 cm
    Edition of 10
  • Elena Sorokina Alluvione / Flood (III) - tetraptych, 2021 Mixed media paper, gold leaf finish 17 x 12 cm Edition of 10
    Elena Sorokina
    Alluvione / Flood (III) - tetraptych, 2021
    Mixed media paper, gold leaf finish
    17 x 12 cm
    Edition of 10
  • Elena Sorokina Alluvione / Flood (IV) - tetraptych, 2021 Mixed media paper, gold leaf finish 17 x 12 cm Edition of 10
    Elena Sorokina
    Alluvione / Flood (IV) - tetraptych, 2021
    Mixed media paper, gold leaf finish
    17 x 12 cm
    Edition of 10
  • Elena Sorokina Curating Florence (75 Postcards), 2016 Double sided digital prints from manipulated photographs and text 10 x 18 cm each
    Elena Sorokina
    Curating Florence (75 Postcards), 2016
    Double sided digital prints from manipulated photographs and text
    10 x 18 cm each
  • Geoff Uglow Pillow 21/06/19, 2019 Oil on board 50 x 60 cm
    Geoff Uglow
    Pillow 21/06/19, 2019
    Oil on board
    50 x 60 cm
  • Geoff Uglow Hortus, February, 2014 28 panels, oil on board 92 x 138 cm
    Geoff Uglow
    Hortus, February, 2014
    28 panels, oil on board
    92 x 138 cm
  • Geoff Uglow 84 days in Rome, 2005 83 vintage postcards one collograph 135 x 110 cm
    Geoff Uglow
    84 days in Rome, 2005
    83 vintage postcards one collograph
    135 x 110 cm
  • Matt Collier Op Botch, 2020/21 Ink, oil, pen, varnish on double panel transparent plastic 60 x 93 cm
    Matt Collier
    Op Botch, 2020/21
    Ink, oil, pen, varnish on double panel transparent plastic
    60 x 93 cm
  • Matt Collier Myopic Excretion, 2020 Ink, oil, pen, varnish on transparent plastic 95 x 95 cm
    Matt Collier
    Myopic Excretion, 2020
    Ink, oil, pen, varnish on transparent plastic
    95 x 95 cm
    Sold
  • Matt Collier Toxic Nausea, 2021 Ink, pen, varnish on transparent plastic 60 x 93 cm
    Matt Collier
    Toxic Nausea, 2021
    Ink, pen, varnish on transparent plastic
    60 x 93 cm
  • Matt Collier The 'Lymphatic Curve', 2009 Ink and pencil on paper 70 x 40 cm
    Matt Collier
    The 'Lymphatic Curve', 2009
    Ink and pencil on paper
    70 x 40 cm
  • Janie Nicoll Crossing Points Collage Artwork: 103 x 135 cm Framed: 114 x 146 cm
    Janie Nicoll
    Crossing Points
    Collage
    Artwork: 103 x 135 cm
    Framed: 114 x 146 cm
  • Janie Nicoll Lupin - Tiny Little Hands , 2021 Collage using newspaper Artwork: 83 x 59 cm Framed: 90.5 x 65.5 cm
    Janie Nicoll
    Lupin - Tiny Little Hands , 2021
    Collage using newspaper
    Artwork: 83 x 59 cm
    Framed: 90.5 x 65.5 cm
  • Janie Nicoll Cornflowers - Yesterday's News, 2021 Collage using newspaper Artwork: 83 x 59 cm Framed: 90.5 x 65.5 cm
    Janie Nicoll
    Cornflowers - Yesterday's News, 2021
    Collage using newspaper
    Artwork: 83 x 59 cm
    Framed: 90.5 x 65.5 cm
  • Janie Nicoll Baptistry, Pisa, 1991 Ink, watercolour and oil on paper 74 x 56 cm
    Janie Nicoll
    Baptistry, Pisa, 1991
    Ink, watercolour and oil on paper
    74 x 56 cm
  • Penelope Matheson Egrets: I have a Few, 2017 Hand-built white earthenware
    Penelope Matheson
    Egrets: I have a Few, 2017
    Hand-built white earthenware
  • Penelope Matheson Cabinet of Vegetable Tortures, 2019 Ceramics in dark wooden cabinet 170 x 104 x 30 cm
    Penelope Matheson
    Cabinet of Vegetable Tortures, 2019
    Ceramics in dark wooden cabinet
    170 x 104 x 30 cm
  • Penelope Matheson A Melon for Ecstasy, 2018 Hand-built white earthenware 30 x 19 x 19 cm
    Penelope Matheson
    A Melon for Ecstasy, 2018
    Hand-built white earthenware
    30 x 19 x 19 cm
    £ 600.00
  • Penelope Matheson I want to be a Lettuce, 2020 Hand-built white earthenware with slip cast additions 15 x 26 x 26 cm
    Penelope Matheson
    I want to be a Lettuce, 2020
    Hand-built white earthenware with slip cast additions
    15 x 26 x 26 cm
    £ 300.00
  • Penelope Matheson Canard Bigarade, 2020 Hand-built white earthenware with slip cast additions and found ceramic 35 x 35 x 35 cm
    Penelope Matheson
    Canard Bigarade, 2020
    Hand-built white earthenware with slip cast additions and found ceramic
    35 x 35 x 35 cm
  • Penelope Matheson Not so Green as Cabbage Looking, 2019 Hand-built white earthenware with slip cast additions 24 x 17 x 11 cm
    Penelope Matheson
    Not so Green as Cabbage Looking, 2019
    Hand-built white earthenware with slip cast additions
    24 x 17 x 11 cm
    £ 300.00
  • Penelope Matheson It was Just Left Ear, 2019 Hand-built white earthenware with press moulded additions 21 x 8 x 6 cm
    Penelope Matheson
    It was Just Left Ear, 2019
    Hand-built white earthenware with press moulded additions
    21 x 8 x 6 cm
  • Penelope Matheson Mr Monsanto: he say NO!, 2019 Hand-built white earthenware with slip cast additions 26 x 17 x 17 cm
    Penelope Matheson
    Mr Monsanto: he say NO!, 2019
    Hand-built white earthenware with slip cast additions
    26 x 17 x 17 cm
    £ 300.00
  • Penelope Matheson Myxamatosis, 2019 Hand-built white earthenware with slip cast additions 15 x 15 x 15 cm
    Penelope Matheson
    Myxamatosis, 2019
    Hand-built white earthenware with slip cast additions
    15 x 15 x 15 cm
  • Penelope Matheson Peapods, 2019-20 Hand-built white earthenware with slip cast additions Dimensions variable: approx. 4 x 18 x 5 cm
    Penelope Matheson
    Peapods, 2019-20
    Hand-built white earthenware with slip cast additions
    Dimensions variable: approx. 4 x 18 x 5 cm
    Sold
  • Penelope Matheson Soft Words Butter no Parsnips, 2019 Hand-built white earthenware with slip cast additions 21 x 8 x 6 cm
    Penelope Matheson
    Soft Words Butter no Parsnips, 2019
    Hand-built white earthenware with slip cast additions
    21 x 8 x 6 cm
  • Penelope Matheson Zebra Crossing, 2019 Hand-built white earthenware with slip cast additions 15 x 15 x 15 cm
    Penelope Matheson
    Zebra Crossing, 2019
    Hand-built white earthenware with slip cast additions
    15 x 15 x 15 cm
    Sold
  • Ian Goodfellow Sibson Building for University of Kent, Canterbury I, 2017 Penoyre & Prasad Photographic print 107 x 72 cm
    Ian Goodfellow
    Sibson Building for University of Kent, Canterbury I, 2017
    Penoyre & Prasad
    Photographic print
    107 x 72 cm
  • Ian Goodfellow Sibson Building for University of Kent, Canterbury II, 2017 Penoyre & Prasad Photographic print 107 x 145 cm
    Ian Goodfellow
    Sibson Building for University of Kent, Canterbury II, 2017
    Penoyre & Prasad
    Photographic print
    107 x 145 cm
  • Ian Goodfellow Sibson Building for University of Kent, Canterbury III, 2017 Penoyre & Prasad Photographic print 107 x 72cm
    Ian Goodfellow
    Sibson Building for University of Kent, Canterbury III, 2017
    Penoyre & Prasad
    Photographic print
    107 x 72cm
  • Ian Goodfellow Sibson Building – Cross-section Penoyre & Prasad CAD drawing on paper 30 x 86 cm
    Ian Goodfellow
    Sibson Building – Cross-section
    Penoyre & Prasad
    CAD drawing on paper
    30 x 86 cm
  • Ian Goodfellow Sibson Building - cross-section Penoyre & Prasad Print on paper 30 x 42 cm
    Ian Goodfellow
    Sibson Building - cross-section
    Penoyre & Prasad
    Print on paper
    30 x 42 cm
  • Ian Goodfellow Tufa Town Tuscany, 1991 Charcoal print on paper 42 x 59 cm Edition of 10
    Ian Goodfellow
    Tufa Town Tuscany, 1991
    Charcoal print on paper
    42 x 59 cm
    Edition of 10
  • Ian Goodfellow Terracotta Stupa Niche, Patan, Nepal Print on paper 60 x 42 cm Edition of 10
    Ian Goodfellow
    Terracotta Stupa Niche, Patan, Nepal
    Print on paper
    60 x 42 cm
    Edition of 10
  • Ian Goodfellow Giordano Bruno and the bookseller, Rome, 1991 Pencil and pastel 42 x 60 cm
    Ian Goodfellow
    Giordano Bruno and the bookseller, Rome, 1991
    Pencil and pastel
    42 x 60 cm

Related artists

  • Mary Bourne RSA

    Mary Bourne RSA

  • Wendy McMurdo RSA

    Wendy McMurdo RSA

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