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Gabrielle Gillott, Safe Haven, mixed media, 2019
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Aqsa Arif, I Play You, To Show Me, Them, video, 2019
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Hannah Crooks, Mutilated, digital photograph, 2019
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Emma Hislop, installation detail. Photo credit Julie Howden
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Ruby Pluhar, Ella At Glen Coe’s Magic Hour, 120mm Negative, 2019
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Suzanne Anthony, The Discipline of Play, mixed media, 2019
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Brandon Logan, Nnnn, 2019
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Jakub Stepanovic, Balance, digital print, 2019
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Hugo Harris, Lean II, wax and steel. Photo credit Julie Howden.
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Lynsey MacKenzie, Gloaming, oil on canvas, 2019
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Niamh Coutts, Pewter Shells, pewter, synthetic crystals, moving Image (Installation), 2019
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Daryl Terri Conney, Dorris, acrylic and texture medium on board, 2019
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Kate Frances Lingard, Shared Desktop, computer hosting the work of multiple people, 2019/2020
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Meabh Breathnach, Untitled, ceramic, 2019
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Emma-Louise Grady, Dystopia Metaphoria, mixed media, 2019
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Georgios Chatzikomnou, Constructing-the-Figure, mdf model, 2019
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Emma Goodwin, Squish, wool and foam board
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Juliet Benassi, Untitled, acrylic and oil on canvas, 2019
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Joseph Buhat, A Test of Will, oil on canvas
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Alison Campbell Glass, George’s Chair, installation, 2019
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Kate La Masurier & Andrew Chavet, Studio Scaffold Model Plan, brass, clay, sheet steel, red oxide MDF, plywood, acrylic, black card, white 3D print, 2018
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Emanuela Agnoni, Cavity, photograph, 2019
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Alex Hayward, When he held me in his arms I forgot the past, gouache on Xerox print
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Sam Renson, Rush, oil on board, 150 x 150cm, 2019
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Katherine Fay Allan, The rest of us.. we just go gardening, installation composed of sculpture, performance and sound, 2019, photo credit Philip Braham
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Magdalena Gunkowska, Relation with the Object, found objects, sound, wood, 2019
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Sarah Burns, Untitled, rubber, steel, plastic, 2019
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Edith Hicks, The Living Procedure, In a New Arcminute, Action, Edinburgh, 2019, performance documentation. Photo credit: Hannah Lim
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Hannah Brown, In which we feel the presence of a hand, studio shot, 2019
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Shilei Fan, Remote And Control, installation, 2020
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Noel Griffin, Bones of your Mother, CGI film still, 2019
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Bibo Keeley, House On Fire, sculpture, 2020
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Krisztina Horvath, It’s not a sequel its a reboot, digital painting on aluminium dibond, 2019
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Naomi McClure, 3 July 1971, 17 Rue Beautreillis, Paris, France, oil on panel, 2019
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Nicolas Hubin, F*CK THE SCHOOL, RELEARN AND RETURN, computer render, 2019
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Valentina Lauto, Syrinx, video,scrim and metal, 2019
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Zuzana Ullmannova, Don’t Drink, acrylic on polyester, 2019
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Leila Kleineidam, Front Lawns at Night (detail), oil on canvas, 2019
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Guto Morgan, These Four Walls, oil on canvas
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Cal McCutcheon, Skin Walkers Paradise, mixed media, 2019
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Harry Lusty, installation. Photo credit Julie Howden.
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Erica Paterson, Five Fingered Glove, screenprint with emboss and gold leaf, 2019
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Elsa Parker, Simulation Stimulation, film still, 2019
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Sarah Broadhurst, Inform and Delight, 2019
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Jacob Scott, Data Face Portrait, Outcome 2, acrylic
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Lucia Pearla, ORANGE SPACE, acrylic, oil, watercolour and varnish, 2019
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Megan O’Hara-Knight, The Lady of Shallot, film still, 2018
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Jasmine Regmi, top Left to right: Hand Clapping, Remains Silent, Picking at Food Offering. Bottom Left to right: Trembling, Rubbing Eyes, Serious Illness or Death, gouache, 2019
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McLauchlin + Williamson, End State, film still, 2019
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Renee Hunter, Johnnie Faa III, screenprint, 2019
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Robyn Seabright, Consumption, herculite & steel, 2019
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Lola Stong-Brett, Claas, A4 monoprint, ink, correction fluid and spray paint on graph paper, 2019
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Jodie Kellas Wilson, Strangely Familiar – The Intimate European Street, digital render, 2019
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Bing Chen, Half Asleep, installation: ceramic, steel, PVC, silver soft mirror sheets, 2019
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Euan Campbell-Vaughan, Sunday Smart, Monday Blue, film still, 2019
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Maija Fox, a companion that encourages me to notice, the object (companion) – circular table and rotatable stool made from birch and bright steel, 2019
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Kyle McGhee, Untitled Assebledge, 2020
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Iliana Francia-Elliott, Female Body Comportment 2, c-type, self portrait photography
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Jin Wei, The Passage, blackwork embroidered cotton, black cotton, steel, metallic acrylic paint, and copper salt, 2019, photo credit: Yuxuan Mei
RSA New Contemporaries 2020
Past Exhibitions exhibition
